April 23, 2008

DROOL over this version of my quilt project

Well!  If I had seen this colorway of Botanika by Robyn Pandolph, I might have gone with this version. Those golds and reds really talk to me!

Botanikapigeonforge
However it is possible that this winner of a ribbon (white ribbon = third place?) at the Smoky Mountain Quiltfest at Pigeon Forge Quilt Show chose her own fabrics for this pattern.

Quilting friend Pam McRae sent me this picture she took when attending that show after reading that I was making such slow progress on my Botanika quilt. Pam, you're an angel of motivation! (Pam is the webmaster of the Mississippi Quilt Association website.)

The border must be a personalized step beyond the original pattern, and I really like how it ties the blocks together.

Botanikastitchinheaven The second picture is a close version of the quilt block- of-the- month by Stitchin' Heaven in Quitman, Texas.

I still love the colors in this version of the quilt (see my September finished block).

Botanikabl1 I adore how they tend to the smallest detail and provide generous and quality fabric for their block of the month programs, so this is the third BOM I've done with them. (Another BOM I've signed up for through Stitchin' Heaven starts this month...details in a later post.)

As you can see, I finished August, September and October blocks, and I am managing to crawl along on the December block. I jumped over the November block, and now I can't remember why I put it off.

Hey, today I managed to squeeze in stitches for 1/2 of a leaf on that December block!

If I want to put a border around my quilt similar to the border in the first picture, then I need to find more of the background fabric Stitchin' Heaven is using... that I adore!  Sanctuary by Two Sisters for Moda.

Botanikapurples_3 The third version of this quilt uses a strong pattern for the border. It uses a palate of purples.

Botanikaroadtocalifornia The fourth version of this quilt that I found some -where online was in The Road to California Quilt Show. Note the heavier quilting inside each block. The border (not pictured) had a shell quilted pattern. The back- ground appears to be a solid cream. I like the extra blues in this quilt also.

So, what do you think? Which border treatment do you like best? Which colorway do you like best?

I would really value your thoughts. One day soon I will run out of leaves to applique on my current block, and I will be ready to move onto the next block.

If you know who made these specific quilts, please let me know and I will be delighted to give them credit in this post!

By the way, you need to read this exciting article from the The Wall Street Journal about the growth in the quilt and fabric industries and how  quilts have revived the economy of Paducah, Kentucky!

April 19, 2008

Finally! The Story of Those Dump Quilts!

Dumpquilts6 "When you see fabric go over the wall, you just have to stop and check it out,"  Maxine Thompson of Ashland, MS, said.  "I was put there at that time for a reason."

Indeed, Thompson and her husband George were at the Marshall County Dump last summer at just the right time to see a striking red and white pattern flash past her peripheral vision. The landfill manager was emptying some cardboard boxes into a large trash bin, and at first glance, Maxine thought he was throwing away blankets.

According to reporter (and fellow quilt enthusiast) Linda Jones, in an article she wrote for Holly Springs newspaper The South Reporter, Thompson had been backing up her vehicle to help her husband unload some stuff at the garbage dump, but when that red and white flash caught her eye, she stopped, walked over to the trash bin and discovered the seven vintage quilts. 

Dumpquilts The quilts are hand pieced and hand quilted. They have definitely been used over the years because most of the binding is frayed. Many of the fabrics, Thompson said, appear to be from the 1930's.

Maybe these are quilts made from scraps from the clothes some mother sewed for her family, Thompson mused, or maybe the fabrics in the quilts are made from clothes that were outgrown or used to the point of threadbare patches.

"It's like going to the diamond mine in Murfreesboro, Arkansas, and coming out with a big 14 carat diamond," Thompson said.

"It's kinda hard to describe my feelings," Thompson said, "but a diamond is formed deep in the earth from so many years of intense pressure and heat, and these quilts were formed deep in some family's past from many hours of hand labor, careful attention, and a lot of love."

Dumpquilts2 In the news article, Thompson described her exchange with the landfill manager, and he finally told the Thompsons they could have the quilts if they could fish them out of the big dumpster.  Only the red and white quilt was not thrown into the dumpster.

The television action hero McGuyver would have been proud of the contraption the Thompsons constructed from a garage door channel, a flimsy curtain rod and some wire.  The curtain rod made the hook, and it kept bending under the weight of each old quilt.

"The people throwing (these quilts) away were not taught by their elders to knit, crochet, tat, crewel, embroider, counted cross stitch...any of the fine needlework skills that us older homemakers know,"  Thompson said. "They don't have any appreciation" for the family history or the skill and hours it takes to make quilts or other types of needlework.

Dumpquilts4Thompson has been quilting since the 1960's. Her first quilt was made from blocks her grandmother had appliqued with butterflies. The butterflies were made from flour sack fabric. Thompson has a deep appreciation of the handwork and fabrics of the past.

The Marshall County Dump quilts have revealed a few secrets, pressed inside the quilt, against the batting.

At different times, Thompson or her husband have discovered:
1. The printed image of a woman holding stalks or ears of corn above the printed company name of "John Wade Patent Flour Company, Memphis TN."  The flour sack formed part of the backing fabric of the quilt, but the printed side was turned in toward the batting to hide it.

2. The printed image of a large pile of potatoes with a rainbow stretching over the potatoes.  Again, the printed image was turned inside toward the batting so that the reverse of the sack forms part of the backing of the quilt.

3. On the back of the blue quilt, a big 10 inch by 12 inch square is printed with "Rust College, Holly Springs, MS". You can see a picture of this block in the news article.

4. The news article also has a picture of the "Memphis Branch Federal Reserve Bank, St. Louis, MO" patch of fabric that also says, "Do not cut when opening".

Dumpquilts5 "I would like these seven quilts to go to seven different museums within state of Mississippi," Thompson said.  "This is part of Mississippi history, and this Mississippi history should stay in Mississippi.

Thompson is taking good care of the quilts while she researches their provenance. She has only aired the quilts outside in the sunshine for a couple of days, and that took out the lingering smell of "musty storage".

Beyond the frayed edges, Thompson said some of the fabric is disintegrating from age and use.

The batting does not have any cotton seed in it, indicating the maker(s) took the time to card the scrap cotton that was so often used in this type of "cover quilt".

Rolls of cotton batting that quilters use in quilts today were not available in the 1920's or 1930's, the decades indicated by the fabrics in some of these quilts.

"Cover Quilt" is most often the term used to define quilts made from scraps that were primarily used to provide warmth.  Cover quilts were made with the expectation of being used up or used until the point of being threadbare.

More decorative quilts that were made from coordinating fabrics to showcase a stitcher's skills were kept for display or for use when company came to visit.

Dumpquilts3 Notice the improvisations in the red and white quilt. Some would call these mistakes. Quilt lovers call these areas of improvisation, "character". 

Notice in the fifth picture that the solid blue border is used on only one side of the quilt. The opposite blue border is pieced.

What if these quilts could reveal their full story?  I wrote a little short piece of fiction based on this real-life rescue, "If Quilts Could Talk".

The Thompsons rescued the quilts almost a year ago, May 12, 2007. Linda Jones wrote her article for the May 24,, 2007, issue after the Thompsons brought the quilts to Holly Springs to show them to the Marshall County Museum curator.

Gordon and I first saw the quilts when the Thompsons gave a presentation to the Fall Gathering of the Mississippi Quilt Association in Oxford last October.  That is when we took the pictures you see here. I only have pictures of six of the seven Marshall County Dump Quilts.

I've had these photos edited and ready to blog ever since October, and I had intended to immediately follow up my little quilt story, If Quilts Could Talk, with this post.  Maxine and I have chased each other around on the phone the last couple of weeks, and finally, tonight, I had energy, time, telephone and Maxine's phone numbers all in the same place at the same time!

You can reach Maxine Thompson by email. Hopefully someone will know something about the printed fabric blocks that will yield a clue about the maker(s) of these quilts.

 

April 14, 2008

A Leaf A Day Keeps the Doctor Away

Leafaday_2 Make that a leaf and a half a day.

That is all I have been able to applique, at most, since mid February... and not necessarily every day. Some weeks, I only get a couple of leaves appliqued on this block of Botanika by Robyn Pandolph.

This is one of our centerpiece rocks in the old rose garden in the back yard. I was pulling weeds around the rock and uncovered a not-so-happy nest of fire ants.

Fire ants and a brisk wind meant no pretty picture to share with you... just a Snap and Snatch.

I'm certainly not tired of this block! It is easy to take with me because I don't have to look at the pattern, and I have a big stack of the three different fabrics cut in leaf shapes. I feel driven to finish this block and get onto the next one.

*Sigh* Sewing is such marvelous therapy, and I am missing my therapy sessions!  Thankfully, for now, even just a leaf a day is still keeping the men in white jackets away. 

March 15, 2008

Luanne's Fab Applique Jacket!

Fabappliquejacket_2 Well, Pooh! I had just about finished with this post, and the laptop froze, and I lost all that I had written.  Bill Gates, shame on you!  Gordon and I want to completely switch to Apple...ASAP...long before the corner spa tub.  Oh well, anticipation makes delayed acquisition sweeter!

Now, here again is what I was sharing with you from the latter half of the week.

The kiln we took to the kiln doctor in Westpoint is in Intensive Care for Kilns.  We opted for an expensive overhaul because we just don't need to spend the extra money right now for a new kiln of that size. We have three other kilns, but the one in Intensive Care is a fast fire, perfect size for short deadlines.

Then we had a couple of other meetings Thursday afternoon in Starkville, MS, one of which was about a commission for the future. Then thirty extra minutes for some photos on a beautiful day.

Fabappliquejacket3_2 The chocolate on the day was being able to attend the Golden Triangle Quilt Guild Meeting that night.  WOW, how this new guild has grown!  By the end of the meeting, all four guests had joined, giving us a membership of 24 ladies!  Realize the Golden Triangle Quilt Guild was not even officially formed when I last attended before Christmas.

Fabappliquejacket2 I met Luanne Blankenship who has just moved to Starkville with her husband, the new pastor of Trinity Presbyterian Church in Starkville.

Luanne was wearing this beautiful jacket that looked to me like one of those $300 to $400 boutique jackets!  She generously shared the website for the pattern.

Fabappliquejacket4 Don't you agree that Luanne's interpretation of the pattern looks much more sophisticated than the picture on the pattern?  Luanne's choice of binding is perfect for the design. 

Can you believe this is made from a sweatshirt?  Luanne found a color and texture of sweatshirt that made that jacket look like a million bucks.  Of course, it was perfectly tailored to fit, which always makes clothes look top drawer!

Luanne is into wool felt applique and art quilts. I'm looking forward to seeing more of her work!

Oh, and a fun coincidence: Luanne had Googled for a quilt guild in Starkville, and she read about the Golden Triangle Quilt Guild on this blog!

That is cool! I do enjoy networking people, and the blog has brought yet another interesting person into my circle of acquaintances!


 

March 12, 2008

Two Port Gibson Quilts

Quiltportgibsonlibrary_2 Headed back to the farm this brilliant sunny March after- noon.  Gordon and I gave a program to the Betsy Love Allen Chapter of the Mississippi DAR in Rolling Fork, MS.

It was the program on Historic Quilts in the NSDAR Museum and Historic Mississippi Quilts. Today I heard of one member's grandmother's quilt, a Crazy Quilt, made in silks from her grandmother's trousseau, circa 1922-1923. The wedding dress had been brown, and that was a dominant color in the quilt.

The family name is Rickets, and they lived in Tuckeman, Arkansas at the time the trousseau and quilt were made.  I think that is right. From my scribbled notes, Tuckeman may be the bride's maiden name. 

The quilt owner and I discussed meeting the next time I head in that direction in order for me to photograph the quilt and write down more of its history.  I can't wait to see it.

I always enjoy visiting that town, and each time my To Photograph list grows longer. I'll post later about the Chainsaw Carved Bears of Rolling Fork, Mississippi.

But at the moment, I am squinting at the computer as Gordon drives, so I will post something easy and quilt related.

The first picture is of a delightful quilt that hangs in the Harriette Pearson Library in Port Gibson.  There was no identifying name plate to indicate the quilter who made the quilt, and I did not want to touch it to look at the backing to see if the quilt was attributed somewhere on its backing.  If you know, please let me know so that I can give proper credit.  If this is a published pattern, I would also like to hear from you!

Emmaquilt_2 The second picture comes from the home of good friend Emma Crisler, the publisher and owner of the Port Gibson Reveille (weekly newspaper) and fellow DAR member.  She graciously showed Gordon and me around her very historic home, the 1830 Greek Revival home of Judge Coleman, the site of a large political rally held for Henry Clay. (Yes, Miss Emma's house will be a post of its own.) 

This is the quilt on a beautiful old spindle bed in one of the guest rooms.  It was made by Mary Ann Norton, now deceased.  Mary Ann was a Spencer, and the various branches of the Spencer family have lived in the Port Gibson area for three or four generations. The women of the family were quilters, and Mary Ann learned quilting from her mother.

January 09, 2008

Two Very Busy Grandmas!

Oneofseven Late last year, I attended a one-day mystery quilt work day put on by the Golden Triangle Quilters.

I worked on my pieced BOM quilt, but it was fun to visit and watch the others work on the mystery quilt or mystery tree skirt.

One of the ladies attending, Frances Reedy,  pieced this lovely quilt, a Sudoku pattern, and Mary Wallace had just finished quilting it.

It was one of SEVEN quilts Frances had made for Christmas presents in 2007! I think Mary said it was the sixth quilt she had quilted THAT WEEK for Frances! That level of creation just boggles my mind!

Dot Livingston had this picture of her grandchildren posing with quilts she had made for her beautiful grandchildren between in a very short period of time in 2007:

"I made quilts from April 21, 2007, through October 7, 2007, this year. I starting after taking Nancy's class April 21 in Starkville for the wack and stack quilt. I finished the 10 for the 10 grandchildren and then had time to add the MSU quilt for their father and the Tessalating star quilt for their mother. It was quite a challenge, and my husband and I delivered them to Colorado the end of October 2007. This was an early part of their Christmas." Dot Livingston, Starkville, MS

Dot let me photograph the snapshot to share on my blog.  I just adore this picture! I watched Dot's precision work at the Mystery Quilt Day. Those are some very fortunate grandchildren!

Busygrandma

November 29, 2007

Feeling Guilded

Futurequilter_2 (Tongue in cheek) Feeling extra special recently.  I'm guilded!

I recently joined the newly forming Golden Triangle Quilters Guild in Starkville, Mississippi.

Gtguild_2 So when one joins a guild, does that mean the new member is covered in gold leaf, i.e., guilded?

Gtguildshowtell Sorry...couldn't help myself...feeling a bit silly tonight. It has been a s-t-r-a-n-g-e day! The kiln is warming up the porcelain pieces I finished tonight, getting ready to launch into a long fire at 2400 degrees Fahrenheit.

I can finally relax after a very long day and watch hubby Gordon as he watches the Dallas Cowboys vs. the Green Bay Packers.

Quiltlabel The kid in this top picture is just how I feel anytime I get around quilters!  The little tyke was the youngest person at the Golden Triangle Quilters Guild meeting in Starkville last week. 

It was only the third meeting of the Guild, and the officers have some marvelous ideas for the future! I'm proud to be in my first quilt guild!

I may still be at the crawling stage in quilting, but all the quilters in the room were so encouraging and helpful.  I get just as excited as this little cutie, attracted to the pretty colors and pretty quilts and happy people!

Here is a vibrant baby quilt that Barbara Burrell brought for show-and- tell. I love the whimsy of the stars in the fabric echoed by the stars in the quilting design.

Mary Wallace quilted this baby quilt, and I've already talked to her about quilting my Pink, Green and Zinnia Block of the Month pieced quilt from Golden Triangle Fabric Center in Starkville. Just one more month in that BOM program, and I'm only a few blocks behind in construction!

Starsquilting Others of us brought books, as requested, for show-and- tell. Those are the books I took (in the first picture), all books I have shared with you previously.

Note to self: I've REALLY got to get started on the prerequisite projects before the Ruth McDowell Workshop in February that I can't wait to attend!

Methodiststarkville And what a lovely place for the Golden Triangle Quilters to meet...the First United Methodist Church in Starkville. 

I loved the way the venerable building looked on this particular brisk fall night, plus the church was bustling with various groups. 

The wonderful pungent smell of someone cooking out in the surrounding neighborhood greeted us as we left the meeting.  The fall leaves were whispering in a hushed voice with the pert little breeze that had brought in the cooler weather.

It was such a lovely night out with my thoughtful husband as driver and date! Gordon had actually spotted the email reminder early that morning announcing that the guild program was to compare the various quilt software programs on the market.

So thanks to my supportive husband, we both thoroughly enjoyed the Guild program with Gloria Reeves and Mary Wallace demonstrating different software.  If it involves computers, Gordon is interested! *grin*

Come to think about it, I did feel wrapped in a warm golden glow from sharing those few hours with quilters and my husband.  Maybe joining a quilt guild IS a guilding experience!  *wink*

November 15, 2007

Today's Quilt Serendipity

Oldotterbeinchurchwinterthur It matters not that I already have collected enough appliqué quilt patterns to keep my fat chubby fluffy fingers busy for the next 20 or so years.

Wednesday, I pulled out of one of my precariously tall TO DO stacks a press release about a historic quilt that was available in kit form from the Winterthur Museum in Winterthur, Delaware.

It is the Old Otterbein Church Baltimore Album Quilt (first picture), made in 1854 by members of the church. The church was? is? located in Baltimore, Maryland.

This led to a delightful trail of serendipitous discoveries that I must share with you!

The first unexpected treat: the kit is now on SALE!  $49 instead of $60! (Info below on how to get one of the only 125 remaining kits!)

The second tidbit of serendipity: while I was looking for the website that posted the photo and history of this quilt so that I could blog about it (and share the sale with you), I discovered that Mary Simon was believed to have been affiliated with this historic quilt.

Now here is where my quilting, genealogy, mystery- loving, curious chick mind almost overdosed on  the connecting the threads of the women who made some of these fabulous quilts!

Marysimon Mary Simon is the artist and quilter who made the famous Baltimore Album quilt in the collection of the National Society Daughters of the American Revolution, headquartered in Washington, D.C.

The same Mary Simon, an enterprising Bavarian immigrant, made kits of some original appliqué album blocks that were all the rage at the time. A few of the blocks (the basket of flowers blocks) in the Old Otterbein Church quilt are believed to be those Mary Simon kits.Thanks to Nancy Kern for letting me know that this Mary Simon connection to the Old Otterbein Church Quilt is an unproven and oft-repeated theory. I DO enjoy learning the nuances of quilt history! Many thanks, Nancy!

I never realized that quilt kits or even individual block kits were available as early as 1854. That was the third delicious tidbit of discovery of the day! Based on the above correction, I am even more interested in learning when the first quilt kit or block kit appeared on the market.  When did Block of the Month Quilt programs begin?

The Mary Simon quilt is one of two "famous" Baltimore Album quilts in the National DAR Museum for which the DAR collaborated with the Baltimore Applique Society to reproduce in pattern form. 

The Mary Mannakee Quilt is the other meticulously reproduced pattern from the NSDAR Collection. (Both detailed patterns sets are just $25 each available through the DAR Museum Store. I bought my copies of the patterns five or six years back, so there may not be that many copies of these pattern sets left!)

That led me to review the information online about the NSDAR Museum's Mary Simon quilt and kit, and I discovered that Nancy Gibson Tuckhorn, the textile curator at the NSDAR Museum a few years back, had published a book, A Maryland Album: Quiltmaking Traditions 1634 - 1934, (Rutledge Hill Press, 1995).

I've added that book to my growing list of quilt books that I MUST have! It's an easy list for Gordon to reference when he needs an idea for how to spoil me.  *grin*

Nancy was the reason P&B Textiles was licensed to reproduce some of the historic fabrics from the NSDAR quilt collection.  Those fabrics debuted in 1999? 2000? 2001? I was not interested actually MAKING quilts back in 1999, so I did not buy any of the DAR reproduction fabrics. (*kicking myself*)

Marymannakee The last several weeks, I've been actively searching for remnants of that DAR reproduction fabric to add to my stash for future Baltimore Album -type projects.

Isn't it amazing how quilting threads weave themselves in and out, throughout the fabric of our lives?

If you know where I can buy some of that DAR Reproduction fabric or how I can contact Nancy Tuckhorn Gibson, please let me know. 

It amazes me how this blog has helped me find some elusive people!

Some nice person reading this blog connected me to Meighan Morrison, that needlepoint designer I talked about back in January.  She is now writing books for children featuring  quilts as part of the plot.  They are on my Quilt Book Wish List also!

How to order the Old Otterbein Church pattern kit:

I called 1-800-448-3883 which is the switchboard at Winterthur. 
Ask to be transferred to the Gift Shop.
Dorris was the nice lady at the gift shop who told me how few pattern kits were left.
The sale price is $49 plus $8.99 shipping.

If this is available to be ordered online, I can't find it. Now I don't even remember how I received the press release that was in my Leaning Tower of TO DO Items. 

Many, many thanks to Kathy for letting me know this morning that I had failed to share the ordering information with you!  Thanks to Lisa for letting me know I had a typo in the phone number for the switchboard at Winterthur!

The phone number at the National DAR Museum Store is: (202) 879-3208

If you start one of these quilts, please let me know.  It would be fun to work on the quilts along with others!

Have a super day, friends!
Fondly,
Penny

October 31, 2007

Pennycast - Mississippi Quilt Association Fall Gathering 2007

Mississippi Quilt Association Fall Gathering, October 2007.  Penny is a member and was a speaker at the gathering.

July 07, 2007

Journal Quilts with Marilyn Rose

Jqcover_2 Back in 2002, Karey Patterson Bresenhan, director of the International Quilt Festival in Houston and Chicago, opened a non-juried exhibit for Journal Quilts.

Mrosejournal7_3 These are the 8.5" x 11" quilts designed to represent a moment or a day in a quilter's life.  Bresenhan recognized the break-out quilting trend and encouraged it by organizing and curating an exhibit each year at the International Quilt Festival.

Almost 6,000 journal quilts later, created by 918 artists, Bresenhan and Interweave Press collaborated to produce Creative Quilting, The Journal Quilt Project.

This sleek book pulls 400 of the "best" of the Journal Quilts from those exhibits, and organizes them by type, technique and inspiration.

"Each quilt shown here represents a page in a quilter’s life story, chronicling joy, frustration, tragedy, inspiration, mundane moments, artistic epiphany—and every event and emotion in between," explains the publisher.

Mississippi Quilt Association Member Marilyn Rose has a journal quilt in this book.  It is the second photo in this posting, the one with the colorful fireworks.  It is on page 239 of the book.

Marilyn said the "Fireworks" Journal Quilt was a small representation of a larger quilt she made in an online class through Quilt University Online.

(Not to be misleading, the "Fireworks" Journal Quilt that Marilyn made is in the book.  The rest of the Journal Quilts photographed were made by Marilyn, but they are not in the aforementioned book.)

Mrosejournal2 I especially loved her "Hurricane Ivan" Journal Quilt, photo #3 and the vegetable "Still Life" journal quilts, photos #4 and #5.  Notice how she created highlights and shadows...three dimensional objects...with her fabric.

Mrosejournal1 Marilyn spoke on Journal Quilts to the almost 200 quilters at the June Gathering of the Mississippi Quilt Association.  The "Hurricane Ivan" Journal Quilt was made from an Internet weather map printed on fabric as Hurricane Ivan unfurled its wrath. 

Mrosejournal5_2 The two "Still LIfe" Journal Quilts were made as part of a Fast Friday Challenge Group. (still need a link for that group.)

Mrosejournal3 Photo #6, is one of Marilyn's first year of Journal Quilts, a series she calls "Drive By Shootings".  She snapped photos of the scenes with her point-and-shoot camera "from behind the wheel going way too fast on the highway".

Note how she sewed "darts" in the striped fabric in Photo #6 to give the illusion of a vanishing point through the swamps along Interstate 20 between Baton Rouge and Lafayette, Louisiana.

Mrosejournal4_2 Photo #7 features three more of Marilyn's roadway Journal Quilts from 2003.

In Photo #7, the night driving journal quilt with the red brake lights in the right lane and the headlights in the left lane...again, ingenious! It was created from a photo Marilyn took in Meridian, Mississippi. 

Mrosejournal8_2 The third Roadway Journal Quilt from Photo #7 as inspired by a stretch of road in East Tennessee.

The next series of three Roadway Journal Quilts, photo #8, are from Birmingham, Alabama; Interstate 40 in Tennessee; and from East Tennessee.

Mrosejournal6 I enjoyed the whimsy of "Easy Street" where all the houses are built on credit...little pieces of credit cards.  I think Marilyn said she used the paper-representations of credit cards...the promotional material one gets in the mail.  This was a JQ from March of 2005.

Remember when I showed you the Chocolate Candy Quilt that Marilyn had appliqued and pieced...that my hand-quilting teacher Betty Lewis was quilting by hand?

---------
Still not quite finished with this post on Marilyn's quilting art.  Check back later for the third update.

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